LaRissa Rogers is an artist and educator based between Virginia and Los Angeles. She holds a BFA in Painting and Printmaking and BIS in International Fashion Buying from Virginia Commonwealth University. She has exhibited work and performed in institutions such as Frieze Seoul (Korea), Documenta 15 (Germany), Fields Projects (NY), 1708 Gallery (VA), Second Street Gallery (VA), Black Ground (Colombia), W Doha (Qatar), The Fronte Arte Cultura (CA), LACE (CA),  Grand Central Art Center (CA), and the Museum of Contemporary Art (VA) among others. She is the 2021-2022 Visual Arts fellow at the Virginia Museum of Fine Arts, a 2021-2022 Black Spatial Relics artist in residence, and a 2021-2022 grant recipient of the Black Artists and Designers Guild Creative Futures Grant. She was selected for the BEMIS Center of Contemporary Art Residency (2021) and is currently pursuing her MFA in New Genres at the University of California Los Angeles.

Artist Statement 

Rogers’ work looks at the intersections of culture, identity, and embedded forms of colonization expressed through perception and psyche. Combining aspects of memory, history, and personal experience, she expands and complicates the capaciousness of blackness by challenging the politics of hybridity, authenticity, and visibility as an Afro-Asian woman. Often asking the question, who and what survives? She simultaneously engages violence and care as co-constructive forces that structure Black life. By using materials that reference colonial histories Rogers re-contextualizes them to grapple with the entanglements of belonging and fugitivity, beauty and horror, life and death, opacity and transparency, care and resistance. 

Often using performance, video, and installation as methods of address, Rogers contends with the systems of commodification, representation, and female-identified subjectivity as shaped by the experience of diaspora. The body becomes an archive and vessel for collective memory and reimagining, while temporality provides pathways for de-colonial futures and alternative possibilities for black people to exist. 


Using Format